Sorry, stupid google translator with "AI" )):
Edited:
As I have written here many times in recent years, the majority of the technically illiterate population (yes, yes, even with money for top-end smartphones) shoots with proprietary software and with default settings. As a result, there is not just a difference with raw photographs, there is a monstrous difference with 8-year-old 12-13MP cameras (in good lighting, of course) in favor of 8-year-old cameras, if the pictures are taken on them with other software, where the size of jpeg files is 2- 4 times more than in proprietary soft cameras of smartphone manufacturers.
With a grin, every year I compare reviews of top-end smartphones with old smartphones that shoot at the maximum of their capabilities and see how pictures taken on new top-end smartphones with default jpeg saving settings are miserably leaked to 6-8-year-old smartphones.
What's the point of cool new hardware - if idiotic manufacturers including Apple/Samsung in the default settings for their soft cameras choose such monstrous compression of jpeg images (despite the fact that the size of smartphone disks has grown literally by an order of magnitude since then!), which from the first At a glance, you can see the loss of detail and the "plasticine" nature of everything in the frame? =)
And 90% of buyers, at a minimum, will shoot with default settings, monstrously losing detail in jpeg pictures. And messing around with raw (even higher quality) will not even be the remaining "advanced" 10%, but at most 1-2%, at best.
Exactly the same shame happens with video recording on top smartphones. Without studio-quality compression (2 passes with frame analysis), a minimum of 160Mbit/s is then required for 4k@60fps (90-120Mbit/s for 4k@30fps) and at least 200Mbit/s for 8k@30fps.
Let me remind you that the best BD discs, in terms of quality, with films, with studio quality compression in 2 passes, have a bitrate above 70 Mbit/s. Without 2 passes - the bitrate should be at least 1.5 times higher.
Even with a bitrate of 250Mbps (this is the stream level for cinemas in DCP packages supplied by major movie theaters), it is easy to record more than 8 hours of video at 8k@30 on a 1TB SSD in a smartphone.
So what's the problem? Is it the stupidity of engineers and the population or something else?
Maybe they just don't want smartphones to shoot at maximum quality?